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‘Renoir’ Review: Scenes From a 1980s Japanese Girlhood Coalesce Into a Breezy But Moving Drama ‘Renoir’ Review: A Delicate and Touching Tokyo-Set Portrait of a Girl’s Loneliness ‘Renoir’ review: A grieving 11-year-old retreats into fantasy in 1980s Tokyo Chie Hayakawa on Revisiting the Pain and Wonder of Childhood in Cannes Standout ‘Renoir’ Chie Hayakawa’s ‘Renoir’ Explores Childhood Grief Within Japan’s Bubble Era Made-with-Singapore film Renoir to compete for top prize at Cannes Film Festival Cannes Film Festival unveils 2025 Official Selection Eric Khoo Brews Up Anthology Film ‘Kopitiam Days’ With Six Singapore Filmmakers Eric Khoo leads Singapore’s anthology film ‘Kopitiam Days’ Rima Das’ Berlin-Bound Busan Winner ‘Village Rockstars 2’ Boarded by Diversion for World Sales Singapore Film Fest Reveals Full Lineup With 105-Title Slate, Spotlights Asian Cinema ‘Misericordia,’ ‘They Will Be Dust,’ ‘Stranger Eyes’ Take Top Prizes at the Valladolid International Film Festival ‘The Land of Morning Calm,’ ‘MA – Cry of Silence,’ ‘Village Rockstars 2,’ ‘Yen and Ai-Lee’ Take Top Honors at Busan; September Dates Confirmed for 2025 ‘Village Rockstars 2’: Busan Review With ‘Village Rockstars 2’, Assamese director Rima Das reunites with the cast of her highly-acclaimed 2017 festival hit Rima Das’ ‘Village Rockstars 2’ Confronts Adulthood in Busan-Bound Sequel S’pore directors’ Mongrel and Stranger Eyes score a record 13 Golden Horse Awards nominations Jafar Panahi to Receive Cinema Honorary Award, ‘Stranger Eyes’ to Open 35th Singapore Film Festival Venice Competitor ‘Stranger Eyes’ Director Yeo Siew Hua Developing Limited Series as Part of Producer Akanga Film Asia’s Growing Slate Venice competitor ‘Stranger Eyes’ to open Golden Horse film festival ‘Stranger Eyes’ Review: Yeo Siew Hua’s Elegant, Haunted Thriller About Voyeurism in a Time of Surveillance ‘Stranger Eyes’ Review: Singaporean Surveillance Crime Thriller Morphs Into a Moving Meditation on Our Human Dislocation from Each Other ‘Stranger Eyes’: Venice Review ‘Stranger Eyes’ Review: A Slippery, Well-Acted Singaporean Thriller About Observation and Surveillance Playtime Sells Yeo Siew Hua’s Venice Competition Title ‘Stranger Eyes’ Across Key European Markets Ahead of World Premiere Surveillance Culture Examined in Venice Contender ‘Stranger Eyes’: ‘We Are Starting to Live Our Lives as Images for Others’ Singapore’s Tan Siyou Preps Debut Feature ‘Amoeba,’ From Venice-Competing ‘Stranger Eyes’ Producer Akanga Film Venice Competition Surveillance Thriller ‘Stranger Eyes,’ Starring Lee Kang-Sheng, Unveils Trailer ‘Stranger Eyes’ director Yeo Siew Hua on how his Venice Competition drama came close to being shelved Spain Opens Film, TV Outreach Program in Asia With Fran Borgia, Lorna Tee Stranger Eyes by Singaporean filmmaker Chris Yeo Siew Hua up for Venice Film Festival’s Golden Lion prize Yeo Siew Hua mystery is first S’pore film to compete for Venice Film Festival’s Golden Lion Eight talking points from the Venice 2024 line-up: Singapore makes its debut, as Norway and Egypt return Goodfellas Boards Japanese Director Chie Hayakawa’s ‘Renoir’ Tiger Stripes: The film that shows women's periods are still a taboo ‘Tiger Stripes’ Producer Akanga Films Boards Rima Das’ ‘Malati, My Love’ (EXCLUSIVE) Singapore’s Akanga, Taiwan’s Betula Among International Co-Producers Boarding India’s ‘Notun Gur’ Giovanni Rustanto’s ‘A Ballad of Long Hair’ Sings Tune of Rock, Rebellion and Reconciliation Malaysia’s ‘Tiger Stripes’ Set as Singapore Film Festival Opening Title Busan Film School Alumnus Aakash Chhabra Teams With Indie Powerhouses Akanga, Crawling Angel on APM Project ‘I’ll Smile In September’ ‘Oasis Of Now’: Busan Review ‘A Woman Builds,’ Story of Female Needs, Secures Multinational Backing Ahead of Golden Horse Project Market Pitch Busan Competition Film ‘Oasis of Now’ by Chia Chee Sum Drops First Trailer Busan film festival reveals 2023 competition titles ‘A Land Imagined’ Director Yeo Siew Hua Casts Taiwan Star Lee Kang-Sheng in Surveillance Thriller ‘Stranger Eyes’ Cannes’ Critics’ Week Honors Malaysian Film ‘Tiger Stripes’ With Grand Jury Prize Malaysian art horror ‘Tiger Stripes’ scoops top Cannes Critics’ Week prize ‘Tiger Stripes,’ Malaysian Film at Cannes, Unveils Feisty First Trailer ‘Super punk rock in its Southeast Asian way’: first Malaysian woman filmmaker to compete at Cannes on her horror movie feature debut Tiger Stripes Leon Dai in Berlinale Selection ‘Tomorrow is a Long Time’: Watch First Trailer Singapore’s Akanga Film Asia reveals eight film slate, including Venice Production Bridge title ‘Stranger Eyes’ Leading international producers reveal how they are tackling Covid challenges Leon Dai-Starring ‘Tomorrow Is a Long Time’ Now Filming in Taiwan ‘Yuni’ wins TIFF Platform Prize 2021 ‘Yuni’ Review: Tradition and Modernity Clash in a Sensitive Coming-of-Age Drama From Indonesia ACE 31 Producers Selected Toronto selects eight titles for Platform programme CJ ENM Unveils Four Series Mandarin-Language Package CJ ENM Hong Kong unveils slate of four Mandarin language scripted series ‘Oasis Of Now’, ‘Amoeba’ win awards at SEAFIC development lab SEAFIC Project Development Lab Hands Prizes to ‘Oasis of Now’ and ‘Amoeba’ Made-with-Singapore Content Forging Ahead With New Funding Opportunities Film Co-Productions Are Gathering Speed in Southeast Asia HAF Winners List Headed by ‘Another World’ and ‘Stranger Eyes’   Taiwanese Actor/Director Leon Dai Tops ‘Tomorrow Is a Long Time’ SEAFIC Unveils 2020 Project Lab Participants How Malaysia and Singapore’s film industries, spotlighted by mainland China’s Golden Horse Awards boycott, are getting a boost Singapore wins 3 awards including Best Actress at Golden Horse Awards 2019 Eight projects awarded the Inaugural Southeast Asia Co-Production Grant by Singapore Film Commission Singapore Sends Locarno Winner ‘A Land Imagined’ to the Oscars Oscars: Singapore Selects 'A Land Imagined' for International Feature Film Category How Independent filmmakers in Southeast Asia are on the rise 'I consider myself a Singaporean filmmaker': The Spanish man behind our best movies Locarno Winner Akanga Boards Open Doors Project ‘Tiger Stripes’ Festivals Welcome More Films From Singapore Helmers Filmart: Singapore's Akanga lines up two international co-pros Why ‘A Land Imagined’ is the Movie Singapore Didn’t Know it Needed Yeo Siew Hua's ‘A Land Imagined’ first local movie named Best Film at Silver Screen Awards Fran Borgia: Prolific Producer Exploring Singapore Story-Telling SGIFF: Yeo Siew Hua Talks ‘A Land Imagined’ And Looks Ahead to ‘Stranger Eyes’ 3 Singapore films selected for Golden Horse Film Project Promotion 2018 Why this Singapore film's historic win at one of the world's most important festivals matters ‘A Land Imagined’ Review: A Dreamy Neo-Noir that Unfolds Like a Singaporean ‘Chinatown’ Locarno Film Festival 2018 Awards: ‘A Land Imagined’ Takes Home the Golden Leopard On the Record: K Rajagopal, award-winning Singaporean filmmaker Singapore Films Reflect Many Cultures Singapore filmmaker Boo Junfeng wins top prize at Swiss Film Festival for ‘Apprentice’ Boo Junfeng's ‘Apprentice’ continues winning streak Why K. Rajagopal’s ‘A Yellow Bird’ Deserves Your Time Singapore's Boo Junfeng named Best New Director at Malaysia film awards Review: In ‘Apprentice,’ Teaching the Fine Art of Execution In a world of echo chambers that polarise, stories help build bridges: Director Boo Junfeng ‘Apprentice’ Exclusive Trailer and Poster: Cannes Film Follows a Young Prison Officer Who Befriends The Chief Executioner Singaporean director Boo Junfeng awarded Rising Director at Busan International Film Festival Toronto-bound Cannes hit 'Apprentice' scores US deal Meet the ‘Other’ voice in K Rajagopal’s ‘A Yellow Bird’ Positive reviews for Singapore’s ‘Apprentice’ at Cannes Film Fest 'Apprentice': Cannes Review The man behind Singapore's two Cannes-bound films Cannes debut for Singapore director K. Rajagopal's first feature ‘A Yellow Bird’ Boo Junfeng's second feature ‘Apprentice’ competes at Cannes Film Festival 'A Lullaby To The Sorrowful Mystery': Berlin Review ‘Sandcastle’ premieres at Cannes Film Festival ‘HERE’: Cannes Review  Singapore film ‘HERE’ selected for the 41st Directors’ Fortnight at Cannes




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